Post by kathy on Sept 5, 2005 4:25:33 GMT
WHAT do people really know about New Orleans?
Do they take away with them an awareness that it has always been not only a great white metropolis but also a great black city, a city where African-Americans have come together again and again to form the strongest African-American culture in the land?
The first literary magazine ever published in Louisiana was the work of black men, French-speaking poets and writers who brought together their work in three issues of a little book called L'Album Littéraire. That was in the 1840's, and by that time the city had a prosperous class of free black artisans, sculptors, businessmen, property owners, skilled laborers in all fields. Thousands of slaves lived on their own in the city, too, making a living at various jobs, and sending home a few dollars to their owners in the country at the end of the month.
This is not to diminish the horror of the slave market in the middle of the famous St. Louis Hotel, or the injustice of the slave labor on plantations from one end of the state to the other. It is merely to say that it was never all "have or have not" in this strange and beautiful city.
Later in the 19th century, as the Irish immigrants poured in by the thousands, filling the holds of ships that had emptied their cargoes of cotton in Liverpool, and as the German and Italian immigrants soon followed, a vital and complex culture emerged. Huge churches went up to serve the great faith of the city's European-born Catholics; convents and schools and orphanages were built for the newly arrived and the struggling; the city expanded in all directions with new neighborhoods of large, graceful houses, or areas of more humble cottages, even the smallest of which, with their floor-length shutters and deep-pitched roofs, possessed an undeniable Caribbean charm.
www.nytimes.com/2005/09/04/opinion/04rice.html
Do they take away with them an awareness that it has always been not only a great white metropolis but also a great black city, a city where African-Americans have come together again and again to form the strongest African-American culture in the land?
The first literary magazine ever published in Louisiana was the work of black men, French-speaking poets and writers who brought together their work in three issues of a little book called L'Album Littéraire. That was in the 1840's, and by that time the city had a prosperous class of free black artisans, sculptors, businessmen, property owners, skilled laborers in all fields. Thousands of slaves lived on their own in the city, too, making a living at various jobs, and sending home a few dollars to their owners in the country at the end of the month.
This is not to diminish the horror of the slave market in the middle of the famous St. Louis Hotel, or the injustice of the slave labor on plantations from one end of the state to the other. It is merely to say that it was never all "have or have not" in this strange and beautiful city.
Later in the 19th century, as the Irish immigrants poured in by the thousands, filling the holds of ships that had emptied their cargoes of cotton in Liverpool, and as the German and Italian immigrants soon followed, a vital and complex culture emerged. Huge churches went up to serve the great faith of the city's European-born Catholics; convents and schools and orphanages were built for the newly arrived and the struggling; the city expanded in all directions with new neighborhoods of large, graceful houses, or areas of more humble cottages, even the smallest of which, with their floor-length shutters and deep-pitched roofs, possessed an undeniable Caribbean charm.
www.nytimes.com/2005/09/04/opinion/04rice.html